“She’s an absolute titan of Australian publishing, an incredible thinker and curator and has assembled an amazing program. We’re talking about these two Palestinian authors, but there are 158 writers and thinkers from 10 countries in the program.”

Mainland said the fact that the festival brought in challenging work or opinions helped build its reputation. “We’re asking the arts to hold up a mirror to society and explain what’s going on in the world and give us a chance to see alternate views. Sometimes that’s more challenging than just the kind of entertaining corporate night out, but it’s all balance.”

Palestinian-American writer Abulhawa has accused Ukraine’s president, Volodomyr Zelensky, of leading the world into another World War, and backed calls by Vladimir Putin for the “de-Nazification” of Ukraine, while El-Kurd has said Zionists have an “unquenchable thirst for Palestinian blood & land” and had “completely internalised the ways of the Nazis”.

However, as media ethics academic Denis Muller recently wrote in The Conversation, a counterview could assert that his comments are directed at Zionists rather than the State of Israel or Jewish people more generally, and are therefore “political in nature rather than racist”.

Ukrainian writers Kateryna Babkina and Olesya Khromeychuk have withdrawn from the program as a consequence of Abulhawa’s comments, as has the Ukrainian-born Jewish Australian writer Maria Tumarkin, who was due to chair their panel.

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In a statement on her website, Tumarkin, who declined to be interviewed, said: “Statements in which Zelensky (who’s Jewish) is called a Nazi, fascist, someone responsible for Russia’s invasion of Ukraine and/or WWIII are not anti-Zelensky and/or pro-Putin... They do not exist in the space of discourse only and do not represent something that can be classified as merely a contentious political opinion.”

And she said literary festivals in Australia were “not robust enough structures to hold space for writers with irreconcilable views and politics when these concern ongoing wars or genocidal violence”.

Tumarkin, author of the acclaimed Axiomatic, quoted from Babkina’s letter to Adler: “I’m afraid I can’t participate in any kind of event that gives voice to the person considering Ukrainians should give up their right to decide what to do with their destiny and their independent country and just become a ‘neutral nation’ pleasing Russian ambitions in order not to be killed.”

In response to MinterEllison’s withdrawal, Abulhawa tweeted: “How the donor class works to control what people are allowed to hear and read. Thankfully, organizers of @adelaidefest and @adelwritersweek place more value on the integrity of intellectual and cultural public discourse than they do on sponsorship money.”

Mainland declined to discuss the amount of money the festival would lose if sponsors pulled out. She said MinterEllison had “asked us to remove any association, branding, logos where possible, not just for Writers’ Week but the festival as a whole. The tickets they would normally have had, they don’t want. It’s very disappointing, but I understand their reasons and respect their choices.”

She said once the dust had settled, the festival would “sit down and start conversations for next year ... The whole situation here has garnered a lot of media attention, and we’ve been getting a lot of attention and feedback from all corners, negative and positive. The public withdrawing of a brand association is adding to that and so that’s really disappointing.”

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