She also released the anti-bullying pop song Boomerang, which now has over one billion views on YouTube. These moves earned her merchandising deals and a contract with Nickelodeon, for which she released more children’s songs and starred in the feature film, The J Team.

By the time she was 17, Siwa was one of Time’s 100 most influential people. She went on to feature on the third season of The Masked Singer and Dancing With the Stars. Notably, she was the first contestant to dance with someone of the same sex (she came out in a social media post in 2021).

From bows to babes

Karma has been dubbed Siwa’s coming of age track, a departure from her former child-friendly vibe. In the lead-up to its release, she posted a parental advisory message on Instagram, advising fans it may contain sexual themes.

Siwa sings about cheating and being a “bad girl”, and in one particularly controversial scene gyrates on top of a woman. Its sexualised themes are markedly different from her previous PG-rated reputation.

Following Karma’s release, Siwa brought her new edgy persona to the stage, performing the track at the iHeart Radio Music Awards in Kiss-inspired make-up.

How did fans react to her rebrand?

Audiences haven’t exactly embraced Karma. Vulture’s Jason P. Frank described her new song as “a thumping, uninspired beat, with faux-edgy lyrics”. As for her rebrand, he said it felt performative, a mere regurgitation of previous child stars’ “good girl gone bad” transitions (think Britney Spears or Lindsay Lohan).

The sexual nature of Karma is a big contrast from Siwa’s childhood aesthetic, one that was marketed as family-friendly. Such a sudden and marked contrast had some questioning the authenticity behind her evolution, accusing the singer of trying too hard and over-relying on shock value for clicks.

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Then rumours spread that Siwa allegedly stole the song from Miley Cyrus and Brit Smith, the former of which was said to have recorded a demo of the song about a decade ago. Siwa denied these claims, explaining the song had been pitched to her.

Another controversy erupted when Siwa told Billboard she invented the “gay pop” subgenre, seemingly disregarding the long list of queer pop artists preceding her. The singer corrected herself shortly after, telling TMZ she merely wanted to “be a piece in making it bigger than it already is”.

What could the backlash say about us?

Siwa’s former dance instructor, Miller, has defended the young star, arguing she’s always been outspoken and confident.

“I think it’s JoJo with paint on her face and a fabulous costume. It’s always been JoJo,” she said on TikTok. “I don’t know if it’s so much of a rebranding, but just maturing, getting older, wanting to show another side of her.”

Siwa isn’t the first former child star who has drawn criticism for a rapid pivot. Miley Cyrus experienced the same in her Bangerz era, Britney Spears was chastised after kissing Madonna at the VMAs, and Justin Bieber’s transition from teeny-bopper to more tattooed masc energy lost him fans.

Vox’s Aja Romano argued that derision for Siwa’s Karma is “ultimately about a misogynistic refusal to let female pop stars grow up – at least without forcing them into rigid parameters of what that adulthood looks like”.

But ultimately, everyone has to grow up, even the most rainbow-coloured and bow-wearing among us.