“The best outcome would be for all visiting artists to make this gesture to show respect for the high quality of the Australian music industry.”

Industry veteran John Watson, whose management company represents Birds of Tokyo, Gotye, Midnight Oil and Missy Higgins, believes the market dominance of foreign-backed tour companies makes local tour slots harder to come by as support acts become part of a global strategy.

“Tours have become increasingly bundled up internationally, and many promoters have global ownership,” says Watson. “So deals are done with global booking agencies, you get two acts from the same label, with no consideration of the local market.”

The three dominant forces in Australian live music are Live Nation, whose third-biggest shareholder is Saudi Arabia’s Public Investment Fund, TEG (owned by US private equity firm Silver Lake) and AEG, another US-based touring company.

Frontier, which operates in a strategic partnership with AEG, was responsible for this year’s record-breaking Taylor Swift tour, which featured Swift’s labelmate, US pop star Sabrina Carpenter, as support. When Live Nation toured Pink this year, Australian artist Tones and I joined her sold-out Summer Carnival tour.

In a statement provided to this masthead, Mark Vaughan, senior vice president, touring, at Live Nation Australia, said: “Live Nation is dedicated to supporting local artists and looks forward to working with the AAM and the wider industry on any measures to promote and nurture our home-grown heroes.”

The Association of Artist Managers argues that Michael’s Rule won’t prevent artists and tour companies from using international support acts but is a “modest and simple step” to boost Australian live music.

“Harry Styles can bring Wet Leg, Swift can bring Sabrina Carpenter, but let’s also add an Australian act at the start of the night,” explains Collins.

Last year, the Foo Fighters toured Australia, joined by UK outfit Hot Milk, but each city featured a different Australian band. Canberra rockers Teen Jesus and the Jean Teasers were tapped to join the Melbourne leg of the tour, an experience that had a tangible impact on the band.

“The publicity alone was insane; having our name on that poster boosted our Instagram followers and Spotify listeners and made the media want to talk to us,” explains guitarist Scarlett McKahey.

“Plus, we were introduced to a new audience, and our fee per show increased from playing that gig, so we’re making more on royalties.”

Find more of the author’s work here. Email him at thomas.mitchell@smh.com.au or follow him on Instagram at @thomasalexandermitchell and on Twitter @_thmitchell.

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